Poetry

A Wishbone

When I’m gone,The eternity I wanted with you won’t scare you anymore,The promises we made won’t confound you anymore,I’ll come back to you;Not to soothe you but-It’ll be for my eternity that I dreamt of with you;I’ll come back as the first
April 25, 2024

Mumbai Goddesses

We lived in Shivaji Park when I first askedmy parents about Santa—because he brought presents, and my picture books showed him flying—in a sleigh drawn by reindeer over fields and mountains of snow in cold countries where white people livedin huge houses

Matters of the heart

I had not realisedHands and fingers could be so smallSo pink and crinkly, nails and allA little tiny human beingComplete, perfectExcept that you were notI could not hearI did not want to knowThe complicated diagnosisThey were pressing in upon usI’d never heard
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Goddess of Pablo Neruda

In realms obscure, ‘latrine cleaner’ she was named,Love’s tender touch, a stranger’s hand, never claimed.her essence distilled in allure’s potent brew,A deity of desire, in eyes that only knew. Oh, Thangamma, your tale unfolds,beyond the verse of poets renowned,muted whispers, stories untold,in

Shadows in Grey Light

Day folds into nightshe holds herself stillthe sharp angular linesof his cheekbones and the fire flares in the hearth –orange-tinged blue flameshis temper burning fast and hotlike the gidgee wood he mills. don’t pull that sullen face sonbeware his mood…Mother and sonwait…for

The Scars

To the world the wounds have healedthe scars faded, invisible.Yet all it takesare carelessly spoken wordsor random, fleeting thoughtsfor the hurt to surface.The wounds bleed invisible dropsthe anguish swirling like a black cloud,surrounds the self.The bright smilethe calm demeanourbelie the echo of

Epiphany of the Heart

Disconcerted and chagrined,I entwine my fingers tighter around you,glancing from the corner of my eye,a detective of the heart,probing through a maze of veiled secrets—but not to find love,Oh, not now!I eschew discovering it,here and now.I turn my gaze to the other

Sound of Chaos

I sleep miles away from the landCalled Holy;The people are not mine yetThe pain is,The homes are not mineYet the dust is,The blood is not mine yetTheir Death is.Chalks are drawing the borders,Marking the dead bodies scattered around the dustThat was once

Paper Sweet

This old palm leaf tells us children some stories of her time to put us to sleepAbout how she discovered her childhood in watchingHer mother making paper sweets,home filled every day with sharp sun light on the mother’s eager hands, the sheets

Chai Tea

The smell of chai filled up my apartment when I used to wake up, once. I do not remember how long it has been. Two years, probably five. It’s been six months. I walk through the pavements alongside the palm trees. This

All My Anxieties

All my anxieties…About did I leave the stove on!Or maybe the keys hangingStuck to the outside of the door,instead of the lining of my pockets. Maybe all my worries…about how dreadful the world is going toTurn outare simply attemptsto come home. Time
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Girl #3 in the Canteen

My mother—in her heyday—had been quitea looker. Pretty enough to have been a Bond girl, framedin a sniper’s scope, I mused to myself. As a teen, thumbing through plastic sleeved albums (eight curved-edge photographs to a double page spread, fizzing lightly with

Radha’s Song

You wouldn’t know how it feels, would you?To love a man who’s claimed by many.Who am I but just another woman,lost in a throng of admirers waitingfor a glimpse of his dark, dimpled face.Tell me something, have you ever knownthe fear of

Echoing Mothers

I hear mothers,young and old,rich and not-so-poor,Believers, atheists, heathenI hear their staggering stepszigzagging throughformer husbands,current flings,the faltering economy.I hear their symphonies–son’s first tooth fall,daughter’s first ballet,first culinary experiment.I hear, too, their erratic quartets;custody battles,nursing a sick child,telling the daughterbetter loversawait her yet.As

Aligarh

Astir, nightly shows—orchestras of vehicles playthe chords in the streets. True-blue tea-lovers—drinking views with samosas,English coffeehouse. Glistening at daytime—dainty neighbourhoods bask insoft showers of peace. Taking in the town—orange sun ducks behind askyline of jet trees.

Noh Mask

lost this moonless nightwithout a starry guidewhere the black dog herdsand the midnight cat’s clawsclick across weary stones.lost where whiteno longer exists.gloom’s black fingerscurl and stretchscratching away layers,the regrets and misstepsuntil my noh mask slipsand I am undone

Green Room

If she gets sometimes offOpens the portfolio from her voice and singsChildren cry for attention or quarrel over shabby rags or iron blade or broken plastic lid.This is the only time she wipes off whiskey stainse-liquid drip in her mist like songs.Frantic

Stories

As she sat down and spread outthe old picture album,all the moments and kinfolkslivened up around herwith all those smiles and tearsand those hugs and gigglesthose partings and unionswhirling around herin a cloud of smokeand faint echoes from afar.Like how she beheld

Pacificate

Answer me!Where would you go?,when the very life you chase,Suddenly… betrayed you? On the roads you used to run on,now you can’t take a step.The hospital bed is your home now,The window; your eyes to the world. Can’t you see it yet?The

Haiga

Haiga is a traditional Japanese art form that combines haiku poetry with a complementary visual element, usually a simple painting or a sketch. The word “haiga” is derived from “hai” (haiku) and “ga” (painting or picture). In haiga, the aim is to

Haiku

Flying I felt the Spring breezeSaw some lilies dancing roundWhile I touched the sky. On Growing Just like a saplingNeeds the sun, so do I needThe rain to grow high. Strength To smile is a costTo weep comes easily stillBut both make

The Passing of Time

On some nights, walking along thedeserted streets, grief chokes me likethunder that ravishes the sky.The lonely clouds gather aroundmy windowpane like a widowClad in white, sobbing rains into my heart.The moon is lost in the elegies of the night.In the eternal silence,

Primitive State

I refuse to be confined within the defined walls of identity.I don’t want these predetermined labels to define.The claustrophobia in my head space remains a massive threat.Always urging me towards the uncharted territories of freedom.Where authenticity thrives without the shackles of conformity.In

Streaming Wild

Slid past the scarlet driveanchored on days sanewith a whimsical strain of melody sadharbouring the mind. Lovely sights of days wildgathered on follicles of growthentailing prophesyamidst seasons of hope. Majestic pride overweening:huddled the Self and Souldragging drudgery to the holereadily buried in

Renunciation

Renounce, renounce and renounce!All that makes me feellike a frantic caged bird,fluttering and shriekingfor escape —— from the morselsIt feeds upon,from its own filththat pollutes the cage,and from the gentle breezethat mockingly caresses its trapped wings!

At Ten

I didn’t know what decade meantthe year I turned ten. The yearI turned ten, we moved housesand went from two rooms on anupper floor to three rooms onthe ground. I had only just learnedwhat one’s own house meant. Knowing this meant little.The

Thank You Gentleman

Today, in a meetingOne of my colleaguesWas euphemistic ofHer non-diplomacy; initiallyI was astounded, awestruck!With the flatteryBut it was no puffery.The expression came naturally.Not being euphemistic,The kudos was for a fighter,In a society whereWomen are harassedBy raping gazeAs a sex toy, andThe only
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You Don’t Look Filo

If I’m honest, I downplayed my beauty as generic asian features to try and dissipate some confused expressions at a spin-the-winebag-on-the-Hills-Hoist-party If I’m honest, I have goldfish lips and matching protruding eyes. I see men wave with zealous shouts of nihao and I always