Terracotta knuckles 

January 25, 2025

I remember the game of knuckles we used to play as kids in the dirt lane
behind the old storage sheds, corrugated rooves lined with squished

flesh of fermenting persimmons. I found it unsettling the way we kept
disembodied knuckles rattling around inside old shoeboxes; though boxes

of severed limbs with knuckles intact would have been even more dis
concerting. They were painted in bold, bright acrylics; eventually fading

with wear. The best ones were lacquered with nail varnish — licks of shiny
magic. I coveted these treasures like a bower bird hoarding blue.

I still don’t know where all the knuckles came from—what hapless creatures
had been mutilated to indulge our childish whimsies. I retired early

from the game one blistering afternoon, crying foul over a match. Stakes had
been high — my prized polished knuckle on the line for Tommy’s flame

tree beauty. I accused him of cheating; refused to hand over my knuckle.
Detecting a glint of demon in his eye, I backed down; offered a rematch.

Without breaking his reaper’s gaze, he prised the knuckle from my grip; knocked
me to the ground. My punctured hymen splattered the drought, wetting

the earth’s clay; terracotta pigment staining my dress, my clenched bone white
knuckles. He instructed me to keep my stupid trap shut — said that if I squealed,

he would come wee wee wee to hunt me down; claim me all over again.
Pocket the pretty little knuckle on my pinkie as his trophy.

Paris Rosemont

Paris Rosemont is an Asian-Australian poet whose work has been published in Verge Literary Journal, Red Room Poetry’s ‘Admissions’ and Heroines Anthology (vol.4.).
In 2022, Paris was a Living Stories Competition judge, WestWords Academian, Frontier Poetry scholarship recipient, awarded an Arts Access Australia mentorship, WestWords-Varuna Emerging Writers’ Residency and was named runner up for the Writing NSW x Varuna Fellowship 2022.

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