
The Uniqueness of P.S. Vinothraj’s Koozhangal (Pebbles, 2021) and Kottukkaali (The Adamant Girl, 2024) in the Art Cinema Movement
The Uniqueness of P.S. Vinothraj’s Koozhangal (Pebbles, 2021) and Kottukkaali (The Adamant Girl, 2024) in the Art Cinema Movement The last two decades of digital cinema have seen filmmakers in Tamil venturing into areas regarding form and content that the previous century