Confluence

Waters when they evaporate, meet…
at a global conference, to speak of fish dropouts,
obscura of clouds, near-deaths, hydrological dynamics,
monocultures, and metals:
nickel, lead, chromium, at their beds.

The bend is notional: water for coffee, cane,
banana, paddy,
mills, distilleries,
fertilizer plants.

The Aral sea was water for cotton
in Uzbekistan:
one shirt drinking 2000 liters,
now more saline than the Dead Sea –
palm-sized, a fossil-tiger’s footprint,

plains of salt, toxic dust storms,
fishing towns, now ship-graveyards.
people, sick; dumps of pathogenic weapons
making the summers hotter, winters colder,
the Aral Sea is the Aralkum desert.

And if seas made maps,
rivers, homes
men, borders.

The Cauvery too is uprising
one of the longest-running rivers
over her water share to ripple greens
for Karnataka and Tamilnadu,
when her sand beds expand for mining
flowing from Brahmagiri
on her way to the Bay of Bengal,
she worries if those warring over her understand

that a river is a person,

like Whanganui of New Zealand
– ancestor of 140 years
that got legal status
through the longest-running litigation
by the Māori people

because mountains too
are equal to men.

 

 

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About Rochelle Potkar

Author of 'The Arithmetic of Breasts and other stories', 'Four Degrees of Separation’, and 'Paper Asylum', Rochelle Potkar is an alumna of Iowa’s International Writing Program and Charles Wallace Writer’s fellowship, Stirling. She is the winner of the 2016 Open Road Review story contest for The leaves of the deodar. Her poems Cellular: P.O.W. and Ground up were shortlisted for awards. Her story Chit Mahal (The Enclave) appears in The Best of Asian Short Stories. She is editor of the Goan-Irish anthology, Goa: a garland of poems, with Gabriel Rosenstock.

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